“This May will see the release of the Star Wars: The Last Jedi six-issue comic book adaption from Marvel Comics, which will include never-before-seen material. While no details were given about what the new content will be, a Marvel spokesperson told IGN that it will be brand new material created just for the comic as opposed to deleted scenes from the movie.
UPDATE: Artist Michael Walsh said on Twitter, “We’ll be adding scenes and telling others from a new perspective.”
It will be written by Gary Whitta (co-writer of the movie Rogue One: A Star Wars Story and writer on the Star Wars Rebels animated series), drawn by Michael Walsh (artist of Star Wars Annual, Hawkeye, The Vision), colored by Mike Spicer, and have covers for Issues #1 and #2 by Mike Del Mundo. […]
In a recent Q&A, The Last Jedi writer-director Rian Johnson talked about the echoes from the Prequels in his movie (transcription by sleemo).
“So I was watching Revenge of the Sith recently and I noticed there are a few echoes from that film to The Last Jedi, like when Anakin’s talking to Padme in Revenge of the Sith just before they face off Obi-Wan, there’s some similarities there with the “join me” and the lashing out of Kylo to Rey and Anakin to Padme. Did you watch the prequels while you were writing?
Yeah, I watched the prequels a lot actually, and that goes for the writing and while we were in prep. I think partially because the original trilogy was the ones that I know by heart, shot for shot. The prequels – I knew them really well but I saw them less so I kind of wanted to steep myself in that visual language a lot more before I got into it.
The notion of finding echoes, not just in the original trilogy but also in the prequel trilogy felt like just a really rich well to draw from. So I kept the original trilogy and also the prequels just on my iPad that I had with me all the time and at night I would just put it on in a random spot and watch pieces of it.
My question is about the last scene between Rey and Ben. He’s kneeling on the ground, he has his father’s dice in his hands that his uncle gave to his mother and his mother left for him, and he’s looking up at the person who’s the most important person in the world to him and before that door shuts, if he could have a do-over to go back to that moment, what do you think he would say or do differently and why?
That is such a great question. Will you be mad if I said that it’s such a great question, I don’t want to answer it? Only because I think that’s such a beautiful notion of “what does he regret in that moment”, it’s the same way I think about in Revenge of the Sith, that mask is coming down, that beautiful shot of Anakin’s eyes right before it goes over and you see that glimpse of… Is it fear? Is it regret? What is it? What is going through his mind at that moment? That’s that kind of moment for Ben and I don’t want to put that moment in your guys’s head. I feel like that’s a moment that everyone should read into themselves. But just posing that question is really beautiful.”
You can hear this at 55′:
From The Independent:
“A Reddit user has used maths to determine which Star Wars films in the franchise are the most and least divisive.
The internet movie fan known as TheNeptunianSloth used data from IMDb to rank the films that cause the most and least disagreement. […]
Since a variety of news sources called The Last Jedi “the most divisive,” it struck TheNeptunianSloth with the idea.
“It got me wondering: can we know for sure that it actually is the most divisive film in the series,” they explained.
The Reddit user further contemplated, “By how much is it more divisive than the second most divisive film? “What is the least divisive one?”
TheNeptunianSloth decided to create a rating system based on IMDb’s data, by determining the standard deviation of each film rating from its overall rating.
The higher the number: the more divisive the film.
The rankings determined are below:
1. The Last Jedi – 2.696
2. The Phantom Menace – 2.062
3. Attack of the Clones – 1.914
4. Revenge of the Sith – 1.837
5. Return of the Jedi – 1.695
6. The Force Awakens – 1.612
7. A New Hope – 1.602
8. The Empire Strikes Back – 1.517
9. Rogue One – 1.405
“On the widely-tracked Rotten Tomatoes movie review site, both the critics’ “Tomatometer” score and the audience score for Star Wars: The Last Jedi have been ticking downward in the weeks since the film first released.
There’s nothing unusual about that; many studio tent-pole movies receive high scores during the initial flush of fan enthusiasm, and then more sober-minded assessments from the wider audience roll in and cause the scores to drop.
But there are two things that are highly unusual about The Last Jedi’s scores.
The first is that the audience score, now at 49 percent, is truly bad. That’s by far the lowest audience score ever given to a live action Star Wars movie, 14 percent lower than the 57 score of the next most disliked Star Wars film, the 2002 Hayden Christiansen-starring prequel Attack of the Clones. A great many people—hardcore fans, casual fans, and non-fans alike—consider The Last Jedi to be a terribly disappointing movie.
The second unusual thing is the huge gap between the 90 percent Tomatometer rating and that 49 percent audience score. That’s the widest gap for any Star Wars picture by a big margin.
With regard to that very low audience score, quite a few conspiracy theorists ignored the overwhelming evidence that many moviegoers disliked the film, and circulated accusations of organized vote campaigns designed to drive down the film’s scores, despite the absence of any credible evidence to support this notion.
In late December I spoke with a Rotten Tomatoes representative named Dana Benson who assured me that the company works assiduously to prevent such manipulation and goes to great lengths to verify their ratings’ accuracy and authenticity. “We have several teams of security, network, and social database experts who constantly monitor reviews and ratings to ensure that they are genuine,” Benson told me. “They haven’t seen anything unusual with The Last Jedi, except that there has been an uptick in the number of written user reviews submitted.” […]”
“It’s okay to dislike Star Wars: The Last Jedi. Your opinion is your own and no one can take that away from you. However, there’s something rotten in the Star Wars fanbase. People on the internet have decided to devote countless hours to tearing down a movie that plenty of others love. And while no movie is perfect — Star Wars: The Last Jedi least of all — what’s the point in taking the fun out of movies? Is it retribution for a ruined childhood or vindication that your opinion is right? Or is all this backlash to The Last Jedi simply another product of the internet’s penchant for knee-jerk reactions and instantaneous gratification? […]
In both cases, and in the case of The Last Jedi, it comes down to fans feeling ownership of a franchise — ownership that they don’t have. It’s when passion turns to possessiveness that fandom turns toxic. It’s like a weaponized version of the death of the author theory: that the subject shouldn’t be interpreted based on the author’s biases or influences. But while it’s valid to have your own interpretations of your favorite movie, text, or characters, that doesn’t make it the only universal truth.
We’ve seen this fandom ownership spring up long before the internet came about — Sherlock Holmes fans wrote to Arthur Conan Doyle demanding that he bring back the detective after he was killed off in “The Final Problem” — but campaigns have grown in size and malice since fandom went global. Social media and internet forums have helped to cultivate dangerously possessive ideas of fandom. And The Last Jedi backlash is just the latest example of that.
Just don’t tell others what they can’t like. That’s the easy solution to all this hoopla. While we perhaps can’t persuade others that their opinions are wrong — it’s their opinion after all — perhaps we can all be a little bit kinder and remember: it’s entertainment. George Lucas conceived of Star Wars as a children’s film, and to an extent it still is. No, I’m not calling out ignorant man-babies who are harassing directors or petitioning for a new movie — though you better watch yourselves — I’m calling attention to the fact that these films are made to be enjoyed. Maybe don’t make it your mission to spoil everyone else’s fun.”
This article fails to mention that /Film tolerated or approved Prequel hate for years. Here are some exemples.
- “Some guy named Mike from Milwaukee, WI put together a 70-minute video review discussing the many reasons why [The Phantom Menace] was horrible. And this isn’t your usual fanboy rant, this is an epic, well-edited well-constructed piece of geek film criticism.” (December 17th, 2009)
- “Mike from Red Letter Media (AKA the guy who put together the epic, 70-minute review of The Phantom Menace) is back again with his even epic-er review of Attack of the Clones. This time, seven Youtube videos were insufficient to contain the hatred, so Mike spread out a 90-minute review over nine Youtube videos. See them all after the break, and let the hate flow through you.” (April 4th, 2010)
- “Close out 2010 with a 110-minute takedown of Star Wars: Episode III – Revenge of the Sith. The first part of Red Letter Media’s feature-length review series hit almost exactly a year ago, the second in April, and now the cycle is complete. And while this review still has the flat ‘creepy guy in his basement’ aspects of the first two reviews, it also has the same in-depth breakdown of the movie.” (December 31st, 2010)
- “The ‘Star Wars’ Movie Idea Lucasfilm Should Consider: Remake the Prequels” (February 26th, 2013)
- “But what if Rey’s vision was less of a vision and more of a nightmare? Sure, the vision itself has some disorienting and terrifying moments for Rey herself, but what if it was a nightmare for the audience as well? That’s exactly what one has done by having some of the more cringeworthy parts of the prequels invade the vision. It’s pretty scary. Watch’s Rey’s Force vision recut after the jump.” (April 7th, 2016)
- “I hated [The Phantom Menace] less than other people did at the time because, fun fact, this was the first Star Wars movie I ever saw (unless you count Spaceballs). I wasn’t so much disappointed as I was kind of perplexed — like, really? THIS is the film series everyone is so obsessed with? It’s kind of boring and kind of racist and the less said about it the better.” (December 19th, 2016)
- “Cool Stuff: Eric Tan’s ‘Star Wars’ Prequel Trilogy Posters Make These Movies Look Good […] Though there is a substantial amount of Star Wars fans who hate the prequel trilogy, there is still a sect of passionate individuals who will to defend all three movies until they’re red in the face.” (January 19th, 2017)
“The box office numbers for the second Friday of Star Wars: The Last Jedi are in and they paint a bleak picture for the Rian Johnson-directed sequel. Down 77 percent from its opening day last Friday, the picture continues to distinguish itself as the worst holding film in the Star Wars franchise’s entire nine-film history.
From its opening day gross of $104.7 million, The Last Jedi cratered by a full $80 million, taking in $24.6 million a week later, on its second Friday.
The biggest prior Friday-to-Friday decline was that of Rogue One: A Star Wars story, at a comparatively robust 68 percent. The three previous films before that, Episode VII: The Force Awakens, Episode II: Attack of the Clones, and Episode III: Revenge of the Sith, all saw declines in the mid-50’s percentage range. Episode V: The Empire Strikes Back, Episode III: The Phantom Menace, and Episode VI: Return of the Jedi, all saw far more modest declines in the 20-30 percent range, and the first film, Episode IV: A New Hope, actually increased by nearly 80 percent in its second weekend as the franchise exploded into being (hence the negative 79 percent “decline” shown on the chart below. I should note also that I don’t have access to daily box numbers for episodes IV and V, so I substituted their full weekend numbers in the chart).
A few quibbles about the comparisons between films are warranted, as some of the pictures—including The Last Jedi—have Thursday evening preview numbers included in their opening Friday results, making the second Friday a tough comp. And some of the other pictures opened on Wednesdays or Thursdays, so their first Friday-to-second Friday comparisons aren’t quite apples-to-apples with The Last Jedi.
But even after adjusting for such differences, The Last Jedi still manages to live up to its title, sitting in last place as the Star Wars picture least capable of holding its audience. Or perhaps more pointedly, in failing to bring moviegoers back for multiple viewings. […]”
“Now that the initial weekend flush is behind it, that hot period when pretty much anything that had the Star Wars name on it could have earned $500 million worldwide, audience fervor for Star Wars: The Last Jedi has cooled off like a chilly winter evening on planet Hoth.
In North America, daily holds for the Rian Johnson-directed flick have been significantly worse than those experienced by Rogue One: A Star Wars Story, and if the pattern continues The Last Jedi could actually wind up doing not much better than the 2016 spin-off movie. […]
After opening at nearly 90 percent of The Force Awakens‘ strength, The Last Jedi has steadily fallen behind, and by Wednesday, its 6th full day in release, it was holding its audience at a lesser rate than every one of the previous eight live action Star Wars movies. It had retained just 16 percent of its opening day gross, a figure that, as the chart below shows, is well below the holds for The Force Awakens, Rogue One, and the last of the prequels, Revenge of the Sith.
I wanted to avoid cluttering up the chart, but I could have added all five of the other previous Star Wars live action movies and the image would remain the same: The Last Jedi is the rock-bottom, worst-holding movie of the entire 9-film franchise. Even Attack of the Clones looks like a champ in comparison. […]”